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Call for Papers: Literary Prize Culture in the Nordic Countries Prizes as Engines of Comparison

Collaborative Research Centre (SFB) 1288: Practices of Comparing. Ordering and Changing of the World Research project: “Greenwich Meridian of Literature”? The Nobel Prize as a Global Standard of Comparing Principal investigators: Jørgen Sneis & Carlos Spoerhase

Literary Prize Culture in the Nordic Countries Prizes as Engines of Comparison

International conference
Ludwig Maximilian University of Munich October 5–7, 2023

The world’s most recognizable and prestigious literary prize happens to be Swedish. Once a year, when the Nobel Prize is awarded, Stockholm becomes capital of the literary world. The Nobel is certainly a prime example of what literary prizes can be: signifiers, or even arbiters, of literary value and taste, which not only affect the reception of indi- vidual authors and their works, but also co-structure the very cultural and socio-eco- nomic space in which literature circulates and literary value is produced, negotiated, and institutionalized. Yet the Nobel Prize is also, of course, only the tip of the iceberg. Over the last decades, as a global trend, there has been a massive increase in the number of literary prizes and a growing impact of prizes on field dynamics. This very much includes the Nordic countries. Still, the “literary prize phenomenon” (James F. English) in this re- gion remains under-explored by scholars. What characterizes the ecology of literary prizes and prize culture in the Nordic countries?

The Nordic countries make an interesting case for literary prize scholarship and lend themselves to comparison for several reasons. They have in fact already been regularly compared (with each other as well as other, mostly European countries) in terms of eco- nomic, social, and cultural policies, and despite certain differences, it is common to speak of a “Nordic model”. This “Nordic model” includes a number of tools for direct and indirect funding of the arts, making the state a stakeholder and an important agent in the field of cultural production. To what extent does the “Nordic model” also havebearing on the workings of literary prizes, literary prize culture, and more generally on modes of consecration in the field of literature? It is also worth noting that there is a rich tradition for cultural cooperation between the Nordic countries. Incidentally, one of the most prestigious literary prizes in the region (apart from international big-hitters like the Nobel, the Booker, etc.) is the Nordic Council Literature Prize, awarded for a work of fiction written in one of the Nordic languages.

In recent times, sophisticated research has developed in different fields of study that are relevant to scholarship on literary prizes, e.g. Literary Studies, Book History and

Publishing Studies, and the Sociology of Culture, including the sociology of cultural prizes and the sociology of (e)valuation. Taken together, such lines of research have prepared the ground for a critical reexamination both of the workings and specificity of individual prizes and prize culture more generally.

This conference aims to bring into sharper focus the functioning and functions of literary prizes in the Nordic countries. To what extent and in what ways are prizes considered signposts of quality and markers of distinction? How do juries and prize administrators operate, and to what degree do they respond to social or political circumstances? To what extent do the prizes, prize-winners, or even short-listed authors acquire visibility in the media? To what degree do prizes – individual ones or “the literary prize” as a cultural phenomenon – have the ability to shape discourses and attitudes towards liter- ature? And in what ways do prizes become “actionable”, in the sense that they influence the behavior of authors, publishers, booksellers, agents, translators, journalists, aca- demia, or the reading public?

Please send your abstract (max. 300 words) for a 25-minute paper presentation to Jørgen Sneis (J.Sneis@lmu.de) by March 1, 2023. The conference language will be Eng- lish. Travel expenses and accommodation during the conference will be covered.

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Swedish-American Quarterly Inviting Submissions

Swedish-American Historical Quarterly is seeking article submissions!

Since 1950 the Quarterly has been a central academic journal in North America for research related to Swedish-American immigration and history, as well as Swedish and American relations. The Quarterly is published by the Swedish-American Historical Society based at North Park University in Chicago. Back issues of the Quarterly have been digitized and are available online thanks to a generous grant from the Barbro Osher Pro Suecia Foundation. The collection is fully searchable and is maintained by the Swedish-American Archives of Greater Chicago, housed in modern, temperature-controlled quarters at the Paul and Bernice Brandel Library at North Park, under the direction of professional archivist Andy Meyer.

The Swedish-American Historical Quarterly is a peer-reviewed academic journal published four times a year, in January, April, July, and October. We invite submissions of article-length manuscripts that advance the understanding of North American immigration history with emphasis on the exchange of people and ideas between the United States and Sweden, as well as the ongoing history of relations between those countries. Comparative and interdisciplinary topics are welcome and encouraged.

Reach out to editor, Mark Safstrom at marksafstrom@augustana.edu for more information.

The society also supports research through three funds:

Nils William and Dagmar Olsson Research Fund – providing grants to defray expenses for original research in Swedish-American history; Franklin D. Scott Prize – honoring the best article by a writer previously unpublished in the Quarterly; and
Emerging Scholars Prize – recognizing the best article among those submitted by currently enrolled undergraduate and graduate students, all of whom receive a one-year society membership.

The Quarterly also includes book reviews, and readers who know of a book they would like to see reviewed, or who would themselves like to write a book review, are also invited to contact the associate editor, Adam Hjorthén at adam.hjorthen@engelska.uu.se

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CSS Conference 2022: Nordic humour in the world – 24-27 August, Lund and Copenhagen

As the pandemic finally begins to let go of our lives, we at the Centre for Scandinavian Studies Copenhagen-Lund-Hankuk (CSS) want to once again welcome all scholars of Scandinavia around the world to Öresund and to our third international conference in Scandinavian Studies!

The conference will take place on 24-27 August, mostly at the Language and Literature Centre for Languages and Literature at Lund university, but we will also spend an afternoon in Copenhagen through a collaboration with the Frederiksberg Museums’ department for Danish humour and satire – STORM.

This year’s theme is Nordic humour in the world, an under-explored field that we expect will stimulate new and creative perspectives on the cultural and linguistic spheres of the Nordic countries. Our list of keynotes include distinguished researchers in this field, from Scandinavia but also from Korea and the US. And we are especially proud to be able to include renowned English philosopher Simon Critchleyamong them!

Read more and submit abstract on the conference website: https://www.css.lu.se/css-conference-2022-english/
Due to the pandemic, the deadline for submitting abstracts has been extended to 15 March.

Once again, a warm welcome to Scandinavia and to Öresund this summer! And please spread the word to anyone who may be interested.

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Call for Panels: 5th Nordic Challenges Conference | Nordic Neighbourhoods: Affinity and Distinction in the Baltic Sea Region and Beyond

1 – 3 June, 2022 Södertörn University, Stockholm

In the past two years, neighbourly interactions have become a major challenge for countries, territories, and peoples. In the Nordic states as well as globally, the Covid-19 pandemic has amplified tendencies of bordering and political or social disengagement with the surrounding world. At the same time, efforts to curb the pandemic have given rise to new forms of virtual communication. The 5th Nordic Challenges Conference, organised as an on-site event by the ReNEW university hub, follows current developments and sheds light on the topic of Nordic neighbourhoods from various humanities and social science perspectives.

Panel proposals are expected to address recent schisms and rapprochement, or ingrained affinities and differences. Inter-Nordic relationships and Nordic entanglements with the Baltic Sea Region, Eastern and Central Europe, the EU, the UK, and the Arctic are of special interest to the neighbourhood theme of the conference. In addition, the 5th Nordic Challenges Conference offers a forum for any research dealing with the Nordic countries in an evolving world that fits under one of the ReNEW hub’s six research streams: 

– Nordic cooperation and region-building
– Democracy, governance, and law
– Public policy, gender equality, and labour markets
– Imagining Norden – branding and Nordic reputation 
– Multiculturalism and globalisation 
– Nordic culture, education, and media


Website: https://airpages.se/clients/fifthnordicchallenges/

Date Call Closes: 2022-01-08

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UCLA European Languages and Transcultural Studies 2nd Annual Graduate Student Conference

Call for Papers


In celebration of the newly-formed UCLA Department of European Languages and Transcultural Studies (ELTS), the graduate students of the former Departments of French and Francophone Studies, Germanic Languages, Italian, and the Scandinavian Section invite submissions to the 2nd Annual ELTS Graduate Student Conference.
Tensions between permanence and decay are constitutive features of European culture. Periods during which cultural and political conventions appeared as though they would endure have alternated with periods of crisis and widespread instability. There can be many interpretations of permanence and decay: they can refer to the physical nature of artifacts or materials and their durability, but also to the cyclical nature of thought (as the ideological crises in present-day Europe have brought to the fore), as well as to the unstable nature of social, interpersonal, and political frameworks (as the ongoing COVID-19 pandemic shows us).
We seek to ask questions such as: How has the permanence of geopolitical and cultural borders reconstructed our understanding of history and its relationship to national or cultural identity? How have ideas of stability or change in literary canons shaped our cultural landscapes over time? How has our understanding of environmental and sustainability issues developed over time? Which cycles of permanence and decay can we identify in our natural surroundings, as well as their relationship to social, economic, and political norms? How have changing (or unshakeable) beliefs on sexuality, gender, birth, death, memory, and truth influenced each other and shaped European culture, literature, and politics?


We seek abstracts for 20-minute presentations that will explore these themes through any theoretical and disciplinary approach connected to Francophone, Italian, Germanic, and Scandinavian cultures. We encourage a variety of disciplinary angles including recent and emerging disciplines such as environmental humanities, digital humanities, and medical humanities.


In an effort to accommodate our local and international colleagues’ travel and health restrictions, as well as to be mindful of our environmental impact, the conference will adopt a hybrid in-person + online format (details will follow). In your application, let us know if you have a strict preference for either format.

Applicants are invited to submit a 250-word abstract of their conference paper by January 7th, 2022 to ucla.elts.conference@gmail.com. Acceptance decisions will be made known by February 28th, 2022.


Website: https://elts.ucla.edu


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Nordic Theatre Studies

CALL FOR CONTRIBUTIONS

Theatre and Social Responsibility

Social responsibility usually makes one think of corporations and businesses. However, if social responsibility is defined as an ethical framework and ideological notion “that organizations should not behave unethically or function amorally and should aim (instead) to deliberately contribute to the welfare of society or societies” (Planken: 2013), application of the term becomes much broader. This issue of Nordic Theatre Studies aims to investigate ways and means of making theatre in a socially responsible manner. How do ethical, legal, economic, and philanthropic elements of social responsibility function in theatre? How do theatres employ aesthetic strategies and values to reach out to a caring social responsibility? Should the ethical stance of theatre (institution, artist, production, audience) be questioned? How does the regulatory framework of the field of theatre contribute toward creating greater good for society? Is it possible to measure its sustainability? What role does financial security play (especially in the case of publicly funded performance) in theatre’s ability to address social issues and the needs of society? How do audiences approach their own position with regard to social responsibility in their engagement with performance? Finally, when, and how does theatre fulfil its part of the social contract?

We welcome articles that examine social responsibility in theatre from various aspects and angles. Possible topics include but are not limited to:

·       core values of theatre, as manifested in contemporary developments or historical perspective

·       the individual theatre maker’s social responsibility towards performance, social institutions, and political regulations

·       different models of social responsibility of theatre institutions, their historical development, and socio-cultural conditions

·       (re)definition of ethics in contemporary theatre, in its making and producing

·       differences in legal frameworks regulating openness, fairness, and accessibility of theatre in the Nordic and Baltic countries

·       issues of copyrights and authorship in theatre

·       theatre institutions’ corporate social responsibility

·       responsible and ethical training of theatre makers

·       precariousness of theatre institutions, makers, audiences

·       institutions and practices that take responsibility for ethnic and social diversity and cultural sustainability

·       theatre and wellness

In addition to these topics, we welcome papers for the open section, which are not required to follow the general theme of the issue. Suggestions for book reviews are also welcome. We especially encourage contributions from the theatre makers in the form of interviews, an essay or a statement, or a manifesto. Specializing in Nordic and Baltic theatre research, Nordic Theatre Studies prioritizes articles that relate to some aspect of Nordic or Baltic theatre and performance, or that have been written by a scholar resident in a Nordic or Baltic country.

Abstracts (200 to 300 words) and a short biography (50-100 words) should be emailed to is editor.nordictheatrestudies@gmail.com by January 1st 2022. 

Schedule for contributing:

Deadline for the submission of article proposals (abstracts): January 1st, 2022

Notification of acceptance: by February 1st, 2022

Submission of full article: April 31st, 2022

Deadline for revised articles – July 1st, 2022

Please find the NTS style guidelines at https://tidsskrift.dk/nts/author

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EuropeNow: Call for Papers

Announcement: 
The Council of European Studies (CES) journal EuropeNow is soliciting submissions for its upcoming publications (Website: https://www.europenowjournal.org/). EuropeNow is
an online monthly journal of ideas, art, and politics relating
to Europe, with a blog that publishes weekly. We feature research,
criticism, and journalism onEurope alongside literary nonfiction,
fiction, poetry, translations, and visual art from or
concerning Europe. 
The journal solicits quite a wide range of
submissions, from op-eds and political essays (~3,000 words), book
reviews (2,000 words), blogs, interviews to pieces of journalism
(investigative or reportage). I am including below information about
upcoming themed issues, which might be of interest (although we accept
material on any topic at any time):
August – Open call for research on current global events 
Sept – Digitalization
Oct – Consortium on Forced Migration 
Nov – Cyber Security
Dec/Jan – After #MeToo

If you are interested in submitting a piece or have any questions, please contact Amanda Garrett at alg110@georgetown.edu