SASS 2026 : Brooklyn

SASS 2026 : Brooklyn

April 23-25, 2026  |  New York, New York

# sass2026

Brooklyn

April 21-25, 2026

DEADLINES
Call for Papers | January 15, 2026 Book your Room | April 1, 2026 Registration | April 1, 2026

ORGANIZERS

Joe Gonzalez | California State University, Fullerton 

Joan Templeton  | Long Island University 

Colin Levin | Long Island University Brooklyn

Brad Harmon | Johns Hopkins University

Rachel Bott | University of Wisconsin, Madison

Kelsey Fuller-Shafer | Fairfield University

Todd Michelson-Ambelang | University of Wisconsin, Madison

Marcus Cederström | University of Wisconsin, Madison

CONTACT THE ORGANIZERSsass2026@scandinavianstudy.org

Venue

New York Marriott at the Brooklyn Bridge

Single $289 | Double $289

SASS rates available for stays during the period of April 21-25, 2025

Book now 

Sign-up for the grad student rooming list (COMING SOON)

Pre-conference Events

Private SASS Tour of the Morgan Library

Join SASS Executive Council Member Troy Wellington Smith and other SASS members on a private visit to the Morgan Library. SASS attendees will be given a preview of the Morgan’s upcoming exhibit on Johan Tobias Sergel as well as a special look at their collection of Norwegian and Danish Golden Age art. Space will be limited to 25 attendees. Pre-registration will open in January. 

Date: Thursday April 23, 2026

Time: 10:00-11:00am 

Location: The Morgan Library
225 Madison Ave
New York, NY 10016

Learn more about the Morgan here:
https://www.themorgan.org

BUILDING CAREERS BEYOND THE ACADEMY: A PRE-CONFERENCE PROFESSIONAL DEVELOPMENT EVENT 

Graduate students and early-career scholars are invited to connect with professionals who have followed non-traditional post-graduate paths, as well as with SASS academic career mentors, for practical advice on planning next steps within and beyond the academy. 
 
Date: Thursday, April 23, 2026 
 
10:00am–11:00 am 
From Scholarship to Industry: The Value of Advanced Degrees Beyond Academia 
Hear from industry professionals about how to market yourself—and your advanced degree—in the for-profit sector. 
 
11:00 am–12:00 pm 
From Scholarship to New Careers: SASS Members on Life After Academia 
SASS members who have built careers in non-traditional roles share how they made the transition. 
 
12:00–3:00 pm 
Ask Me Anything: Careers Beyond Academia (Drop-In Sessions) 
Meet one-on-one with industry professionals and SASS members to ask questions, seek advice, and explore career possibilities both within and beyond the academy. 
 
Location: Scandinavia House 58 Park Avenue New York, NY 10016

Getting Around New York (Coming January 2026)

New York City has an extensive public transit system, making it easy to get almost anywhere by subway or bus. Taxis and ride-share services are also widely available.

Airports: Newark International Airport (EWR), serving both national and international routes, is located in the state of New Jersey, while John F. Kennedy International Airport (JFK), primarily international, is located on Long Island, in the state of New York. Local public transportation from both airports to the conference hotel, the Marriott Brooklyn Bridge Hotel, in New York City, in the borough of Brooklyn, is similar and takes about the same time: an airport bus to midtown Manhattan (42nd Street) and then a subway ride to Brooklyn. For people coming from within the United States, the local NY City airport, La Guardia (LGA), in the borough of Queens, is also available.

To and From Newark Liberty International Airport: You can take New Jersey Transit to Penn Station. from there you can take the subway to within two blocks of the hotel. Depending on your arrival time, the trip will take a minimum of 1 to 1.5 hrs. 

Taking a cab or shared ride service from Newark to the conference hotel will take a minimum of 45 minutes to 1 hour.  OBS! When taking a cab from the state of New Jersey into the state of New York, local laws prohibit New Jersey drivers from picking up another ride in New York. For this reason, a cab or shared ride from the Newark airport will include additional fees to cover the cost of the driver’s return trip to New Jersey. The would be true of a ride from the hotel (in New York) back to the Newark airport. 

To and From JFK: Depending on your arrival and departure times, public transit to and from JFK will take a minimum of 1 hr. You would catch the Howard Beach AirTrain at the airport and transfer to the subway, arriving at a station within two blocks of the hotel. 

A cab to and from JFK will take a minimum of 1 to 1.5 hours. While we cannot provide a cost estimate, you should expect that both cabs and shared ride services in the New York City Metro area can be costly. More information about ground transportation and associated costs can be found at the airport website. 

https://www.jfkairport.com/to-from-airport/public-transportation

Airport to hotel: Public transit from JFK is generally the easiest, with LaGuardia also accessible (though it may take longer). 

Scandinavia House: Travel between the hotel and Scandinavia House is a single subway or bus ride with a short walk at each end. SASS volunteers will be available to assist if needed. The Morgan Library is just around the corner.

Brooklyn: Brooklyn is very walkable, with downtown Brooklyn about a 10-minute walk north of the hotel and many nearby coffee shops and restaurants. Willoughby Street is less pleasant after dark, so evening outings are best headed north.

Apps and Payment Methods: Locals often recommend Citymapper for navigating transit. NYC Transit accepts credit/debit cards and tap-to-pay on smartphones; MetroCards are no longer used.

For more info, visit: 

New York City Public Transit 

https://www.mta.info/agency/new-york-city-transit

CityMapper Website and App: 

https://citymapper.com

Theme

BRIDGES

The 2026 SASS conference will take place in Brooklyn, New York at the Marriott Brooklyn Bridge Hotel. This year’s presidential theme is BRIDGES.

As metaphor and monument, a bridge establishes a link that would otherwise not exist. As physical structures, both natural and constructed, bridges appear all across the world, in the smallest of villages and in bustling metropolises. They can represent progress and development as well as regress and deterioration. They have been sites of joy and protest, tragedy and celebration. Some exist hidden or unnoticed, where others have become iconic symbols – the Brooklyn Bridge, for instance, has been exalted in poems by the likes of Walt Whitman and Hart Crane.  Bridges appear in phrases such as “building bridges” and “burning bridges”; in concepts such “bridge translation” and “bridging visa”; in slogans such as “build bridges, not walls”; and in idioms like “a bridge too far,” “bridge the gap,” “water under the bridge,” “to sell the Brooklyn Bridge,” and more. Even the very word metaphor is a bridge, etymologically meaning “carrying over.” Bridges are also essential to artistic creation, formally (as in the bridge of a song) or thematically (for instance, Faroese musician Eivør’s 2015 album Bridges or the Danish-Swedish crime show Bron). Suffice it to say, bridges are everywhere.

The organizing committee encourages submissions that explore bridges of all sorts—and, by extension, other forms of transit, traffic, movement, and dis/connection—in Nordic culture, film, history, language, and/or literature. Other topics and approaches are also welcome.

Streams

It has been 20 years since Elisabeth Oxfeldt published her groundbreaking book, Nordic Orientalism: Paris and the Cosmopolitan Imagination 1800-1900, which opened a conversation among scholars of Nordic visual and expressive cultures about the reception of, and national dynamics concerning, Asian and North African images and peoples. Since that publication, the rise of decolonizing strategies, efforts to question a European/Nordic canon, examinations of global exchange, the interrogation of the politics and practices of colonialism in relation to museums and collecting, and the examination of globalism and of historical insider/outsider culture have transformed the study of Nordic art and its histories. On the other hand, the slippery concept of Borealism often serves as a framework to exoticize or whitewash the Nordic region (both within the region and from outside perspectives) due to the distinct geography of the region and a romanticized close connection between people and land.  

We welcome papers that examine the question of decentering production and reception, whether focused on theory, images, objects, individuals, or critical practices.  Topics might include the history of ethnographic collections and the ideological operations of both domestic and museum displays; Nordic self-exotification and nation branding; cultures of performance (theater, circuses); import/export of materials; scientific racialization; commercial images, etc.

Questions regarding this stream can be directed to: Pat Berman (pberman@wellesley.edu), MaryClaire Pappas (maryclaire.pappas@gmail.com), and Øystein Sjåstad (oystein.sjastad@hf.uio.no) 

Keywords: ART HISTORY, 19TH CENTURY

In the wake of the 150th anniversary of Hans Christian Andersen’s death in 2025, we invite proposals to a stream showcasing Hans Christian Andersen studies in the 21st century. What new approaches can bring his writing into conversation with the social, cultural, and political matters of today? What in our contemporary world brings out aspect of his writing hitherto ignored? In short: What does the scholarship on Hans Christian Andersen look like today. We invite both young and experience scholars to submit papers to the stream.
 

Questions regarding this stream can be directed to: Claus Elholm Andersen (ceandersen2@wisc.edu), Julie Allen (julie_allen@byu.edu), and Tosten Bøgh Thomsen (tbt@sdu.dk)

KEYWORDS: 19TH CENTURY, LITERATURE, 

As teachers, we are constantly building bridges: between ourselves and our students, between course concepts, and between our instruction and the world. Those of us who teach Nordic studies outside of the Nordic countries also build linguistic and cultural bridges for our students, including for those who may never visit the places about which we teach. In teaching, we also have the potential to burn bridges, or to miss opportunities to build them.

This stream welcomes panel proposals and individual paper proposals that explore the theme/figure of bridges in a pedagogical context, including but not limited to: 

  • The potential and limits of the bridge as metaphor for linguistic and cultural instruction, including in a political context in which that symbol can be negatively charged.

  • Helping students understand and construct bridges across genres, media, and disciplines, including through successful assignments.

  • How AI can help, hurt, and/or complicate ethical, relational, and intellectual bridge-building in teaching and learning.

  • Bridging the classroom with the community, through projects, field trips, community engagement, cross-campus collaborations, and more.

  • How to build collegial bridges within and across departments, fields, and institutions.

  • Theories of pedagogy that employ the bridge, explicitly or implicitly, as a metaphor in teaching and learning, and how these influence your work. (Examples: Peter Elbow wants student writers to bridge the gap between felt sense and the written word; John Dewey suggests students must bridge new ideas to prior knowledge; bell hooks wants to build bridges between academic knowledge and lived experience.)

Questions regarding this stream can be directed to: Ida Moen Johnson (imjohnson@wisc.edu), Maren Mecham (maren_mecham@byu.edu), Marcus Cederström (cederstrom@wisc.edu), Anna Rue (rue@wisc.edu), Jason Schroeder (jschroeder3@wisc.edu), Melissa Gjellstad (melissa.gjellstad@umd.edu), and Lotta Weckström (lotta.weckstrom@berkeley.edu)

Keywords: 21ST CENTURY,  CULTURAL STUDIES, PEDOGOGY

This stream aspires to promote new multi-disciplinary histories and narratives of Swedish migration that unsettle and complicate the dominance of Vilhelm Moberg’s Emigrant series and its cultural afterlives. We seek scholarship that expands and troubles the geographies, chronologies, methodologies, and ideologies of the traditional saga of Swedish emigration to the Midwestern United States in the second half of the nineteenth century. 

The analytic of the Swedish Atlantic enables a perspective on Swedish migration embedded in the Atlantic as a site of concurrent and entangled histories connecting Europe, the Americas, and Africa from first contact through the present. This perspective addresses the general disconnection between migration studies and colonialism to focus attention on the colonial logics and practices that contour Swedish migration of people, objects, texts, and ideas, including transatlantic slavery, Indigenous dispossession, settler colonialism, and heteropatriarchy. 

Possible topics include but are not limited to:

  • Sweden and Atlantic modernity
  • Swedes and racial capitalism
  • Swedish transatlantic adoption
  • Swedish involvement in the Atlantic slave trade and systems of chattel slavery in the Atlantic world
  • Swedish settler colonialism in North America, South America, Africa and the Nordic countries
  • Swedes, whiteness, and Atlantic racial hierarchies
  • Swedish Sami histories
  • Swedes and Atlantic feminisms, patriarchy and gender identities
  • Swedish migrants in the Atlantic world, including Sami and transimperial elites
  • Swedes in the Caribbean, including in Saint Barthélemy
  • Swedish immigration experiences and policies
  • Afro-Swedes and Afro-Swedish culture
  • New Sweden
  • Narratives of Swedish travel in the Atlantic world

Questions regarding this stream can be directed to: Lucia Hodgson (luciakhodgson@gmail.com), and Marie Bennedahl (marie.bennedahl@lnu.se)

Keywords: COLONIALISM/SETTLER COLONIALISM, MIGRATION STUDIES, SWEDEN

Sponsored by the Ibsen Society of America (ISA)

All proposed papers relevant to Ibsen studies will be considered for the Annual Ibsen Society of America (ISA) panel at SASS. The ISA panel aims to support the field of Ibsen studies by showcasing cutting edge research on Ibsen from a variety of disciplinary and interdisciplinary perspectives. All approaches and themes are welcome, including (but not limited to) new research on Ibsen guided by the theme “Bridges.” Papers in Ibsen studies not selected will be considered for other relevant streams and panels at SASS.

Questions regarding this panel can be directed to: Olivia Gunn (ogunn@uw.edu)

Keywords: IBSEN, THEATRE, PERFORMANCE

Keynote

Keynote Speaker

This year’s keynote speech will be given by Dr Monica Miller (Barnard College) and held at Scandinavia House, followed by the opening reception.

About Dr Miller: 

Monica L. Miller is Chair and Professor of Africana Studies at Barnard College, Columbia University. A specialist in contemporary African American and Afro-diasporic literature and cultural studies, she is the author of the book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, which inspired Superfine: Tailoring Black Style, the 2025 Costume Institute exhibition at The Met. A frequent commentator in the media and arts worlds, she teaches and writes about Black literature, art, and performance, fashion cultures, and contemporary Black European culture and politics.  She is currently at work on a book project, Blackness Swedish Style: Race and the Rhizomatics of Being which considers cultural production by the emerging black community in Sweden and its connection to Black European identity formation and cultural/political movements.

Schedule (Coming March 2026)

Info coming March 2026

Conference Hotel | New York Marriott at the Brooklyn Bridge

333 Adams Street, Brooklyn, New York 11201 USA

Overview

Minutes from amazing attractions, the New York Marriott at the Brooklyn Bridge is one of the most exciting hotels in Brooklyn, New York. Situated close to Prospect Park, our hotel near the Brooklyn Bridge provides guests with an inspired vantage point to work, play and relax. Thoughtfully designed, our guest rooms and suites boast amenities like plush bedding, flat-panel TVs and high-speed Wi-Fi; some of our accommodations feature private terraces with stunning views of the downtown skyline.

SASS Rates: $289/night plus local taxes and fees

Rooms must be booked through the link below BEFORE 5pm EST on April 1, 2026 to qualify for the SASS rate.

Book Here: 

https://book.passkey.com/go/SASSConference2026

Call for Streams (CLOSED)

Call for Stream Proposals 

In preparation for the 114th Annual Meeting of the Society for the Advancement of Scandinavian Study, the conference program committee invites proposals for thematic streams.

While proposals related to the overall conference theme, “Bridges”, are especially encouraged, submissions from across the broad field of Scandinavian Studies are welcome.

Please submit your stream proposals via the link below no later than October 15, 2025. Approved streams will be communicated to organizers, published on the SASS website, and shared via the SASS mailing list in advance of the opening of the abstract submission portal on October 20, 2025.

Questions related to streams and stream proposals may be directed to: sass2026@scandinavianstudy.org.


What is a thematic stream?

A thematic stream consists of a series of panels, tied together by a common topic, offered sequentially within the overall conference framework. Streams provide greater cohesion than a single panel and have offered many participants a more sustained and rewarding conference experience. They are particularly well suited for connecting international colleagues working on similar topics and can serve as the foundation for joint publications (e.g., in Scandinavian Studies or other venues).


Proposal Requirements

All proposals must include:

  • An abstract of no more than 250 words

  • The name(s) of the stream organizer(s)

Stream organizer(s) are responsible for:

  • Reviewing submissions to their stream

  • Scheduling panels within the stream

  • Sourcing chairs for stream panels

  • Communicating with presenters

  • Coordinating with the program committee

Key Information

Stream Submissions Open: September 22, 2025
Stream Submission Deadline: October 15, 2025
Stream Submission Portal: app.oxfordabstracts.com/events/74957/symposia/create

Abstract Submissions Open: October 20, 2025
Abstract Submission Deadline: January 15, 2026
Abstract Submission Portal: https://app.oxfordabstracts.com/stages/78059/submitter

Call for Papers (CLOSED)

Call for Papers – SASS 2026: Brooklyn

While the semantic reach of  bridges spans as far as bridges themselves extend across the globe, SASS 2026 focuses on their essential function: connection. As Scandinavian Studies grows increasingly interdisciplinary, we encourage papers that consider both the core connections at the heart of the field as well as the new directions it expands into across disciplines.

We also welcome papers that highlight the international dimensions of Scandinavian Studies—both diachronically and synchronically—whether as a geographical region, a cultural context, or a discipline shaped by diverse historical, institutional, political, and cultural traditions. In short: bridges abound!

Roundtables at SASS 2026

This year’s meeting will place special emphasis on roundtables. In keeping with the conference theme, we encourage roundtable proposals that reach across subfields or national traditions—those that trace meaningful through-lines across seemingly disparate case studies, methods, or contexts.

Please note: attendees may present one paper and participate in one roundtable.

Streams

Individuals or groups interested in organizing thematic streams may submit a stream proposal via the link below by October 15, 2025. Individuals wishing to submit their individual abstract to a particular stream may do so by selecting that stream on the submission form.

Stream organizers must also submit their own individual paper proposal.

General Submissions

As always at SASS, papers and panels that do not explicitly engage with the presidential theme are also warmly welcomed.


Key Information

Stream Submissions Open: September 22, 2025
Stream Submission Deadline: October 15, 2025
Stream Submission Portal: CLOSED

Abstract Submissions Open: October 20, 2025
Abstract Submission Deadline: January 15, 2026
Abstract Submission Portal: https://app.oxfordabstracts.com/stages/78059/submitter

For assistance, please contact the program committee at sass2026@scandinavianstudy.org.